文字中心主義
外观
文字中心主義、圖文中心主義或書寫主義(Graphocentrism / scriptism)是指認為文字或符號天生優於口語語音或較之更為穩定或高效的觀點。[1][2]
這種對書面或印刷文字的偏見,與將視覺(sight)置於聽覺(sound)之上、將眼睛(eye)置於耳朵(ear)之上的排名密切相關,這種現象也被稱為「視覺中心主義」(ocularcentrism)。[3]它與「語音中心主義」(phonocentrism)相對立,後者是一種偏重口語的偏見。比起歐洲,中文和一些美洲原住民文化更傾向於文字中心主義。[4]
延伸閲讀
[编辑]參考文獻
[编辑]- ^ Kittel, Harald; House, Juliane; Schultze, Brigitte, Traduction: encyclopédie internationale de la recherche sur la traduction, Walter de Gruyter: 1111, 2007, ISBN 978-3-11-017145-7
- ^ Bijay Kumar Das, Twentieth Century Literary Criticism, Atlantic Publishers & Dist: 41–, 2005, ISBN 978-81-269-0457-0
- ^ Semiotics Glossary G: Graphocentrism. (原始内容存档于26 April 2012).
- ^ Kwak, Duck-Joo. "From the Perspective of Graphocentrism." Confucian Perspectives on Learning and Self-Transformation: International and Cross-Disciplinary Approaches (14 (2020): 157.).
參見
[编辑]- 哈羅德·英尼斯(Harold A. Innis),《帝國與傳播》(Empire and Communications)
- Matviyenko, Svitlana, Matviyenko, Svitlana; Roof, Judith , 编, Graphocentrism in Psychoanalysis
, Lacan and the Posthuman (Cham: Springer International Publishing), 2018: 113–127 [2022-12-05], ISBN 978-3-319-76327-9, doi:10.1007/978-3-319-76327-9_7 (英语) - Hung, Ruyu, The paradox of graphocentrism: Dao-logocentrism
, Education between Speech and Writing, [2022-12-05], doi:10.4324/9781315727509-4