ꠚꠣꠟꠖꠤꠀ ꠎꠤꠘꠤꠡꠣꠁꠘ꠆ꠔ ꠎꠣꠃꠇ꠆ꠇꠣ

ꠒꠦꠜꠤꠒ ꠃꠒꠅꠀꠞ꠆ꠒ

<bdi>ꠃꠁꠇꠤꠙꠤꠒꠤꠀ</bdi> ꠕꠘꠦ
David Woodard
ꠍꠛꠤ
ꠎꠦ ꠎꠤꠘꠤꠡꠞꠝꠣꠘꠥ
ꠎꠘꠝ ꠄꠙ꠆ꠞꠤꠟ
ꠖꠍ꠆ꠔꠉꠔ
ꠟꠤꠋꠉꠅmale
ꠎꠦ ꠖꠦꠡꠞ ꠘꠣꠉꠞꠤꠇꠀꠝꠦꠞꠤꠇꠣ ꠨ ꠇꠣꠘꠣꠒꠣ
ꠘꠤꠎ ꠘꠣꠉ꠆ꠞꠤ ꠘꠣꠝDavid James Woodard
ꠞꠣꠈꠣ ꠘꠣꠝDavid
ꠙꠞꠤꠛꠣꠞꠤ ꠘꠣꠝWoodard
ꠎꠘꠝ ꠟꠅꠣꠞ ꠎꠦꠉꠣSanta Barbara
spouseSonja Vectomov
languages spoken, written or signedꠀꠋꠞꠦꠎ
occupationcomposer ꠨ conductor ꠨ writer
educated atUniversity of California, Santa Barbara ꠨ Eugene Lang College of Liberal Arts ꠨ San Marcos High School
work locationꠀꠝꠦꠞꠤꠇꠣ ꠨ ꠇꠣꠘꠣꠒꠣ

ꠒꠦꠜꠤꠒ ꠎꠦꠝ꠆ꠌ ꠃꠒꠅꠀꠞ꠆ꠒ (ꠀꠋꠞꠦꠎ: David James Woodard; ꠄꠙ꠆ꠞꠤꠟ ) ꠎꠘ꠆ꠝ d ꠄꠙ꠆ꠞꠤꠟ ) ꠅꠂꠟꠣ ꠄꠙꠎꠘ ꠀꠝꠦꠞꠤꠇꠣꠘ ꠡꠋꠉꠤꠔ ꠡꠘ꠆ꠌꠣꠟꠇ ꠛꠣ ꠝꠤꠃꠎꠤꠇ ꠇꠘ꠆ꠒꠣꠇ꠆ꠐꠞ ꠀꠞ ꠟꠦꠈꠇ ⁕

ꠃꠒꠅꠀꠞ꠆ꠒ ꠄꠇꠎꠘ ꠇꠘ꠆ꠒꠣꠇ꠆ꠐꠞ ꠛꠣ ꠝꠤꠃꠎꠤꠇ ꠒꠤꠞꠦꠇ꠆ꠐꠞ ꠢꠤꠡꠣꠛꠦ ꠟꠌ-ꠄꠘ꠆ꠎꠦꠟꠦꠌ꠆ ꠝꠦꠝꠞꠤꠀꠟ ꠍꠣꠞ꠆ꠜꠤꠌꠧ ꠇꠣꠝ ꠇꠞ꠆ꠌꠁꠘ ⁕ ꠡꠣꠟꠧ ꠟꠌ-ꠄꠘ꠆ꠎꠦꠟꠦꠌ꠆ ꠚꠦꠟꠣꠁꠐ ꠚꠣꠘꠤꠇꠥꠟꠣꠞ ꠞꠦꠟꠅꠄꠅꠞ ꠖꠥꠞ꠆ꠊꠐꠘꠣꠄ ꠝꠣꠞꠣ ꠏꠣꠅꠀ ꠟꠤꠅꠘ ꠙ꠆ꠞꠣꠙꠞ꠆ꠐ ꠀꠞ ꠔꠣꠁꠘꠞ꠆ ꠀꠢꠔ ꠛꠤꠗꠛꠣ ꠟꠧꠟꠣꠞ ꠡꠝ꠆꠆ꠝꠣꠘꠦ ꠏꠦ ꠅꠘꠥꠢ꠆ꠑꠣꠘ ꠅꠂꠍꠦ, ꠅꠟꠣꠈꠣꠘ ꠀꠞꠧ ꠛꠣꠇ꠆ꠇꠣ ꠅꠘꠥꠢ꠆ꠑꠣꠘꠞ ꠖꠣꠁꠔ꠆ꠔ ꠔꠣꠁꠘ ꠚꠣꠟꠘ ꠈꠞ꠆ꠌꠁꠘ ⁕[1][2]:125 ꠔꠣꠁꠘ ꠙꠡꠥꠙꠣꠇꠤꠞ ꠟꠣꠉꠤꠅ ꠞꠦꠇꠥꠁꠄꠝ ꠛꠣꠘꠣꠁꠍꠁꠘ- ꠎꠦꠝꠘ ꠖꠞꠧ, ꠇꠦꠟꠤꠙꠧꠞ꠆ꠘꠤꠀ ꠛꠣꠖꠣꠝꠤ ꠙꠦꠟꠤꠇꠣꠘ ꠄꠇꠐꠣꠞ ꠟꠣꠉꠤ ꠔꠣꠘ ꠛꠣꠘꠣꠁꠟ꠆ ꠞꠦꠇꠥꠁꠄꠝ ꠇꠘ꠆ꠒꠣꠇ꠆ꠐ ꠇꠞꠁꠘ ꠎꠦ ꠛꠤꠌꠧ ꠅꠇꠐꠣ ꠝꠣꠞꠣ ꠉꠦꠍꠤꠟ ꠅꠘꠧ ⁕[3][4]:152–153 ꠡꠋꠉꠤꠔ ꠌ꠆ꠇꠧꠞ ꠛꠣꠘꠣꠁꠀ ꠟꠦꠈꠣꠞ ꠡꠝꠄ ꠘꠣꠘꠣꠘ ꠞꠋꠉꠞ ꠇꠣꠟꠤ ꠛꠦꠛꠢꠣꠞꠞ ꠟꠣꠉꠤꠀ ꠔꠣꠁꠘ ꠡꠥꠙꠞꠤꠌꠤꠔ ⁕[5]:173

ꠃꠒꠅꠀꠞ꠆ꠒ ꠒ꠆ꠞꠤꠝꠦꠡꠤꠘꠧꠞ ꠎꠦ ꠙ꠆ꠞꠔꠤꠟꠤꠙꠤ ꠔꠤꠀꠞ ꠇꠞꠍꠁꠘ, ꠅꠈꠐꠣ ꠛꠤꠡ꠆ꠡꠞ ꠛꠤꠜꠤꠘ꠆ꠘ ꠎꠣꠖꠥꠊꠞꠞ ꠝꠣꠏꠦ ꠖꠦꠈꠣꠘꠤ ꠅꠂꠍꠦ ⁕ ꠄꠒꠣꠝ ꠙꠣꠞ꠆ꠚ꠆ꠞꠦꠞ ꠛꠂꠅꠞ ꠍꠤꠞꠤꠎ ꠄꠙꠧꠇꠦꠟꠤꠙ꠆ꠍ ꠇꠣꠟꠌꠣꠞ (Apocalypse Culture) ꠀꠞ ꠒꠦꠞ ꠚ꠆ꠞꠧꠄꠘ꠆ꠒ (Der Freund) ꠅꠞ ꠟꠣꠈꠣꠘ ꠡꠣꠢꠤꠔ꠆ꠔꠤꠇ ꠎꠣꠞ꠆ꠘꠣꠟꠧ ꠔꠣꠁꠘ ꠅꠛꠖꠣꠘ ꠞꠣꠈꠍꠁꠘ ꠁꠘ꠆ꠐꠣꠞ-ꠍ꠆ꠙꠤꠡꠤꠎ ꠇꠣꠞ꠆ꠝꠣ, ꠃꠖ꠆ꠜꠤꠖꠞ ꠌꠦꠔꠘꠣ, ꠇꠦꠐꠣꠝꠤꠘ ꠀꠞ ꠘꠥꠄꠜꠣ ꠎꠣꠞꠝꠣꠘꠤꠀ ꠘꠣꠝꠞ ꠙꠦꠞꠣꠉꠥꠀꠘ ꠛꠡꠔꠤ ꠟꠁꠀ ⁕[6][7]:176–188

ꠎꠧꠛꠘꠞ ꠙꠄꠟꠣ ꠅꠋꠡ

[ꠟꠦꠈ | ꠃꠔꠡ ꠟꠦꠈꠁꠘ]

ꠒꠦꠜꠤꠒ ꠃꠒꠅꠀꠞ꠆ꠒ ꠛꠠ ꠅꠁꠍꠁꠘ ꠍꠣꠘ꠆ꠔꠣ ꠛꠣꠞ꠆ꠛꠣꠞꠣ, ꠇꠦꠟꠤꠙꠧꠞ꠆ꠘꠤꠀꠔ ꠛꠣꠁꠛꠁꠘꠞ ꠝꠣꠏꠦ ꠢꠇꠟꠞ ꠢꠥꠞꠥ ꠒꠦꠜꠤꠒꠧꠞ ꠝꠣ ꠀꠍꠟꠣ ꠇꠣꠘꠣꠒꠤꠀꠘ ꠝꠦꠘꠘꠣꠁꠐ (ꠇ꠆ꠟꠣꠁꠘ ꠎꠦꠝꠣꠁꠘ꠆ꠒꠞ ꠅꠋꠡ), ꠀꠞ ꠛꠣꠙ ꠀꠍꠟꠣ ꠀꠝꠦꠞꠤꠇꠣꠘ ꠢꠣꠍꠣꠁꠐ ⁕ ꠔꠣꠞꠣꠞ ꠄꠇꠐꠣ ꠙꠣꠛꠟꠤꠇ ꠞꠤꠟꠦꠡꠘꠍ ꠚꠣꠞ꠆ꠝ ꠀꠍꠤꠟ, ꠅꠐꠣ ꠌꠣꠟꠣꠁꠔꠣ ⁕ ꠃꠒꠅꠀꠞ꠆ꠒ ꠙ꠆ꠞꠣꠁꠜꠦꠐ ꠁꠍꠇꠥꠟꠧ ꠀꠞ ꠖꠣ ꠘꠤꠃ ꠍ꠆ꠇꠥꠟ ꠚꠞ ꠍꠧꠡꠣꠟ ꠞꠤꠍꠣꠞ꠆ꠌ ꠅ ꠚꠠꠣꠟꠦꠈꠣ ꠇꠞꠍꠁꠘ ⁕[8]:34–41

ꠇꠦꠞꠤꠀꠞ

[ꠟꠦꠈ | ꠃꠔꠡ ꠟꠦꠈꠁꠘ]

১৯৮৯ ꠔꠣꠇꠤ ২০০৭ ꠔꠉ ꠃꠒꠅꠀꠞ꠆ꠒꠦ “ꠒ꠆ꠞꠤꠝꠦꠡꠤꠘ” (Dreamachine) ꠅꠞ ꠞꠦꠙ꠆ꠟꠤꠇꠣ ꠛꠣꠘꠣꠁꠍꠁꠘ ⁕ ꠁꠐꠣ ꠄꠇꠐꠣ ꠢꠣꠟꠇꠣ ꠍꠣꠁꠇꠧ-ꠄꠇ꠆ꠐꠤꠜ ꠟꠦꠝ꠆ꠙ / ꠍ꠆ꠐ꠆ꠞꠛꠧꠍ꠆ꠇꠧꠙꠤꠇ ꠒꠤꠜꠣꠁꠍ ⁕[9][10][11] ꠁꠐꠣ ꠝꠥꠟꠔ ꠛ꠆ꠞꠤꠅꠘ ꠉꠤꠍꠤꠘ ꠀꠞ ꠁꠀꠘ ꠍꠧꠝꠣꠞ꠆ꠜꠤꠟ ꠄ ꠛꠣꠘꠣꠁꠍ꠆ꠟꠣ ꠄꠇꠐꠣ ꠊꠣꠐꠅꠀꠟꠣ ꠇꠙꠣꠞ ꠛꠣ ꠇꠣꠉꠎꠞ ꠍꠤꠟꠤꠘ꠆ꠒꠣꠞ ꠖꠤ, ꠎꠦꠉꠥꠞ ꠛꠤꠔ꠆ꠞꠦ ꠄꠇꠐꠣ ꠝꠐꠞꠦꠟꠣ ꠇꠇꠛꠟꠧ ꠛꠣ ꠙꠣꠁꠘꠞ ꠜꠤꠔ꠆ꠔꠤꠞ ꠃꠚꠞꠦ ꠀꠇꠐꠣ ꠁꠟꠦꠇ꠆ꠐ꠆ꠞꠤꠇ ꠟꠦꠝ ꠛꠀꠁꠟ ꠕꠣꠇꠔꠧ ⁕[12][13][14]:142–146

ꠙ꠆ꠞꠤꠇꠤꠄꠝ

[ꠟꠦꠈ | ꠃꠔꠡ ꠟꠦꠈꠁꠘ]

১৯৯০ꠞ ꠖꠤꠇꠦ ꠃꠒꠅꠀꠞ꠆ꠒꠦ prequiem ꠡꠛ꠆ꠖꠐꠣ ꠀꠛꠤꠡ꠆ꠇꠣꠞ ꠇꠞꠁꠘ ꠖꠥꠁꠐꠣ ꠡꠛ꠆ꠖ ꠝꠤꠟꠣꠁꠀ - “preemptive” ꠀꠞ “requiem”- ꠎꠦꠐꠣ ꠔꠣꠘ ꠛꠥꠖ꠆ꠗꠌ꠆ꠐ ꠌꠦꠔꠘꠣꠄ ꠛꠣꠘꠣꠁꠟ ꠡꠋꠉꠤꠔ꠆ꠞꠦ ꠛꠥꠏꠣꠄ, ꠎꠦ ꠡꠋꠉꠧꠔꠐꠣ ꠝꠥꠝꠥꠞ꠆ꠡꠥ ꠇꠦꠃꠞꠧꠞ ꠟꠣꠉꠤ ꠟꠦꠈꠣ ꠅꠄ ꠔꠣꠞꠣꠞ ꠝꠣꠞꠣ ꠎꠣꠅꠀꠣꠞ ꠡꠝꠄ ꠛꠣ ꠄꠇꠐꠥ ꠀꠉꠦ ꠔꠘꠦ ꠛꠣꠎꠣꠘꠤꠞ ꠃꠍꠤꠟꠣꠄ ⁕[15]

ꠐꠤꠝꠕꠤ ꠝꠦꠇꠜꠤ Timothy McVeigh ২০০১ꠅ ꠘꠤꠎꠞ ꠝ꠆ꠞꠤꠔ꠆ꠔꠥꠖꠘ꠆ꠒ ꠙꠣꠅꠀꠞ ꠡꠝꠄꠞ ꠟꠣꠉꠤ ꠃꠒꠅꠀꠞ꠆ꠒꠞꠦ ꠇꠁꠌꠟꠣ ꠄꠇꠐꠣ prequiem ꠙꠞꠤꠛꠦꠡꠘꠣ ꠇꠞꠣꠞ ꠟꠣꠉꠤ ⁕[16]:240–241[17]:126–129 ꠃꠒꠅꠀꠞ꠆ꠒꠦ ꠛꠦꠐꠣꠞ ꠝꠣꠞꠣꠔ꠆ꠔꠇ ꠅꠙꠞꠣꠗ ꠎꠣꠘꠤꠀ- ꠝꠣꠘꠤꠀ ꠛꠦꠐꠣꠞꠦ ꠝꠞꠣꠞ ꠡꠝꠄ ꠕꠥꠞꠣ ꠡꠣꠘ꠆ꠔꠤ ꠖꠤꠛꠣꠞ ꠇꠣꠞꠘꠦ ꠔꠣꠘ ꠇꠝ꠆ꠙꠎꠤꠡꠘ Ave Atque Vale (Hail and Farewell) (ꠎꠄ, ꠛꠤꠖꠣꠄ) ꠅꠞ ꠇꠒꠣ ꠅꠋꠡꠐꠣꠞ ꠙ꠆ꠞꠤꠝꠤꠀꠞ ꠁꠘ꠆ꠒꠤꠀꠘꠣꠔ ꠇꠞꠣꠞ ꠡꠝ꠆ꠝꠔꠤ ꠖꠤꠍꠤꠟꠣ ⁕ ꠄꠇꠐꠣ ꠟꠧꠇꠣꠟ ꠛ꠆ꠞꠣꠌ ꠇꠧꠀꠞꠞ ꠟꠉꠦ ꠙꠞꠤꠛꠦꠡꠘ ꠇꠞꠍꠤꠟꠣ St. Margaret Mary Church ꠅ, ꠎꠦꠐꠣ US Penitentiary-ꠞ ꠗꠣꠞꠧ Terre Haute, Indiana-ꠔ;[18] ꠀꠞ ꠃꠙꠌ꠆ꠕꠔ ꠀꠍꠟꠣ ꠝ꠆ꠞꠔ꠆ꠔꠥꠖꠘ꠆ꠒꠞ ꠡꠣꠇ꠆ꠈꠤ ꠢꠇꠟ ⁕ ꠔꠈꠘ ꠀꠞ꠆ꠌꠛꠤꠡꠙ ꠒꠦꠘꠤꠄꠟ ꠄꠝ ꠛꠥꠇꠟꠣꠁꠘ (Archbishop Daniel M. Buechlein) ꠀꠞ ꠙꠞꠛꠞ꠆ꠔꠤꠔꠦ ꠇꠣꠞ꠆ꠒꠤꠘꠣꠟ ꠞꠎꠣꠞ ꠝꠣꠢꠧꠘꠤ (Cardinal Roger Mahony) ꠄ ꠙꠧꠙ ꠎꠘ ꠙꠟ II (Pope John Paul II) ꠅꠞ ꠇꠣꠍꠦ ꠅꠘꠥꠞꠥꠗ ꠇꠞꠍꠤꠟꠣ ꠄꠔ ꠡꠥꠘ꠆ꠖꠞ ꠄꠇꠐꠣ ꠝꠤꠃꠎꠤꠇ ꠌ꠆ꠇꠧꠞ꠆ꠞꠦ ꠀꠡꠤꠞꠛꠣꠖ ꠇꠞꠣꠞ ꠟꠣꠉꠤ ⁕[19][20]:37[8]:34–41

ꠘꠥꠄꠜꠣ ꠎꠣꠞ꠆ꠝꠣꠘꠤꠀ

[ꠟꠦꠈ | ꠃꠔꠡ ꠟꠦꠈꠁꠘ]
ꠡꠣꠟꠅ ꠒ꠆ꠞꠤꠝꠦꠡꠤꠘ

২০০৩ ꠡꠣꠟꠧ ꠃꠒꠅꠀꠞ꠆ꠒ ꠎꠥꠘꠤꠙꠣꠞ ꠢꠤꠟ꠆ꠍ, ꠟꠍ ꠄꠘ꠆ꠎꠦꠟꠍ ꠇꠣꠃꠘ꠆ꠐꠤ, ꠇꠦꠟꠤꠚꠞ꠆ꠘꠤꠀꠞ ꠇꠣꠃꠘꠍꠤꠟ꠆ꠝꠦꠘ ꠢꠤꠡꠣꠛꠦ ꠘꠤꠞꠦꠛꠣꠌꠤꠔ ꠅꠂꠍꠟꠣ ⁕[21] ꠔꠔ꠆ꠇꠣꠟꠤꠘ ꠔꠣꠁꠘ ꠘꠥꠄꠜꠣ ꠎꠣꠞ꠆ꠝꠣꠘꠤꠀ, ꠙꠦꠞꠣꠉꠥꠄꠞ ꠟꠉꠦ ꠍꠤꠍ꠆ꠐꠣꠞ ꠍꠤꠐꠤ ꠡꠝ꠆ꠙꠞ꠆ꠇꠞ ꠙ꠆ꠞꠌ꠆ꠔꠣꠛ ꠙꠦꠡ ꠇꠞꠁꠘ ⁕ ꠅꠃ ꠛꠤꠡꠄ ꠀꠞꠧ ꠗꠣꠞꠘꠣ ꠙꠣꠁꠔꠣ ꠇꠞꠤ ꠔꠣꠁꠘ ꠢꠈꠣꠘꠧ ꠉꠤꠀ ꠔꠣꠞꠣꠞ ꠝꠤꠃꠘꠤꠍꠤꠙꠣꠟ ꠘꠦꠔ꠆ꠞꠤꠉꠘꠞ ꠟꠉꠦ ꠖꠦꠈꠣ ꠇꠞꠁꠘ ⁕[22]:39–40 ꠙꠄꠟꠣ ꠛꠣꠞ ꠄꠝꠘ ꠄꠇ ꠎꠘꠉꠥꠡ꠆ꠑꠤꠞ ꠢꠖꠤꠌ ꠚꠣꠁꠟꠣ ꠔꠣꠁꠘ ꠎꠣꠞꠣꠞ ꠘꠂꠔꠤꠇ ꠀꠞ ꠛꠥꠖ꠆ꠗꠤꠉꠔ ꠅꠛꠘꠔꠤ ꠖꠦꠈꠤꠀ ꠘꠤꠎꠞ ꠙ꠆ꠞꠌ꠆ꠔꠣꠛ ꠛꠤꠛꠦꠌꠘꠣ ꠛꠣꠖ ꠖꠤꠟꠣꠁꠟꠣ ⁕ ꠎꠖꠤꠅ ꠙꠞꠛꠞ꠆ꠔꠤꠔꠦ ꠁꠈꠣꠘ ꠔꠣꠇꠤ ꠔꠣꠁꠘ ꠟꠦꠈꠣꠟꠦꠈꠤꠞ ꠟꠣꠉꠤ ꠉꠛꠦꠡꠘꠣꠞ ꠇꠤꠍꠥ ꠛꠤꠡꠄ ꠙꠣꠁꠍꠤꠟꠣ ⁕ ꠔꠣꠁꠘ ꠈꠥꠛ ꠀꠉ꠆ꠞꠢꠤ ꠅꠂꠍꠤꠟꠣ ꠛꠤꠡꠖ ꠙꠞꠤꠇꠟ꠆ꠙꠘꠣꠇꠣꠞꠤ ꠞꠤꠌꠣꠞ꠆ꠒ ꠜꠣꠉ꠆ꠘꠣꠞ ꠀꠞ ꠄꠟꠤꠎꠣꠛꠦꠕ ꠙꠞ꠆ꠡ꠆ꠐꠣꠞ-ꠘꠤꠔ꠆ꠡꠦꠞ ꠙ꠆ꠞꠧꠐꠧ-ꠐ꠆ꠞꠣꠘ꠆ꠍ ꠢꠤꠃꠝꠦꠘꠤꠍ꠆ꠐ ꠗꠣꠞꠘꠣ ꠟꠁꠀ ⁕ ꠄꠁ ꠝꠢꠤꠟꠣ ꠀꠞ ꠔꠣꠘ ꠡꠣꠝꠤ ꠛꠣꠞ꠆ꠘꠣꠞ꠆ꠒ ꠙꠞ꠆ꠡ꠆ꠐꠣꠞ ꠘꠥꠄꠜꠣ ꠎꠣꠞ꠆ꠝꠣꠘꠤꠀꠞ ꠃꠔ꠆ꠕꠣꠙꠇ ꠄꠛꠋ ꠛꠣꠡꠤꠘ꠆ꠖꠣ ꠀꠍꠟꠣ ১৮৮৬-১৮৮৯ ꠡꠣꠟ ꠔꠉ ⁕[23][24]:28–31

২০০৪ ꠡꠣꠟꠧ ꠃꠒꠅꠀꠞ꠆ꠒꠦ ꠇꠞꠣꠟ ꠄꠘꠕꠦꠝ ꠞꠌꠘꠣ ꠇꠞ꠆ꠍꠤꠟꠣ ꠘꠥꠄꠜꠣ ꠎꠣꠞ꠆ꠝꠣꠘꠤꠀꠞ ꠙ꠆ꠞꠔꠤꠡ꠆ꠑꠣꠇꠣꠟꠤꠘ ꠀꠖꠞ꠆ꠡꠉꠥꠟꠣꠞ ꠜꠤꠔ꠆ꠔꠔꠦ - ꠎꠦꠝꠘ ꠗꠞ, ꠉꠤꠟ-ꠝꠢꠌ꠆ꠌꠔ, ꠀꠔ꠆ꠔꠔꠦꠉꠤ, ꠟꠥꠕꠣꠞꠦꠘꠤꠀꠘꠤꠎꠝ ⁕ ꠅꠐꠣꠞ ꠘꠣꠝ “Our Jungle Holy Land” ⁕[25]:41–50[26]:ch. 21

২০০৪-২০০৬ꠞ ꠝꠣꠏꠦ ꠃꠒꠅꠀꠞ꠆ꠒꠦ ꠅꠡꠁꠋꠈꠛꠣꠞ ꠘꠥꠄꠜꠣ ꠎꠣꠞ꠆ꠝꠣꠘꠤꠀꠔ ꠎꠣꠁꠘ ꠔꠔꠇꠣꠟꠤꠘ ꠀꠝꠦꠞꠤꠇꠣꠘ ꠞꠣꠡ꠆ꠐ꠆ꠞꠤꠅ ꠡꠢꠡꠜꠣꠙꠔꠤꠖ ꠒꠤꠇ ꠌꠦꠘꠤꠞ ꠡꠣꠢꠣꠁꠎ꠆ꠎꠦ ⁕ ꠄꠞꠣꠞ ꠛꠦꠇ꠆ꠔꠤꠉꠔ ꠀꠟꠣꠙꠌꠣꠞꠤꠔꠣꠞ ꠛꠤꠡꠄꠛꠌ꠆ꠔꠥ ꠀꠍꠤꠟ ꠘꠥꠄꠜꠣ ꠎꠣꠞ꠆ꠝꠣꠘꠤꠀꠞ ꠎꠘꠙꠖ ꠀꠞ ꠡꠝꠣꠎꠛꠦꠛꠌ꠆ꠕꠣ ⁕[27][21] ২০১১ ꠡꠣꠟꠧ ꠃꠒꠅꠀꠞ꠆ꠒꠦ ꠍꠥꠁꠍ ꠟꠦꠈꠇ ꠇ꠆ꠞꠤꠡ꠆ꠌꠤꠀꠘ ꠇ꠆ꠞꠣꠢ꠆ꠐ[28] ꠞꠦ ꠅꠘꠥꠝꠔꠤ ꠖꠦꠁꠘ ꠔꠣꠘ ꠌꠤꠑꠤꠉꠥꠁꠘ ꠢꠣꠘꠜꠣꠞ ꠛꠤꠡ꠆ꠡꠛꠤꠖ꠆ꠖꠣꠟꠄꠞ ꠅꠀꠞ꠆ꠢꠣꠘ ꠜꠣꠞ꠆ꠟꠣꠉ ꠅꠞ ꠔꠔ꠆ꠔꠣꠛꠗꠣꠘꠦ ꠙ꠆ꠞꠇꠣꠡꠘꠣ ꠇꠞꠣꠞ ꠟꠣꠉꠤ ⁕[29]:180–189 ꠞꠣꠘ ꠟꠦꠈꠘꠤꠞ ꠛꠦꠙꠣꠞꠦ Frankfurter Allgemeine Zeitung ꠄ ꠇꠁꠘ, “(ꠟꠦꠈꠇꠞꠣ) ꠡꠁꠔ꠆ꠔ ꠀꠞ ꠙ꠆ꠞꠔꠤꠇ꠆ꠞꠤꠔꠤꠞ ꠝꠣꠏꠦꠇꠣꠞ ꠖꠦꠅꠀꠟ ꠍꠣꠠꠣꠁ ꠟꠣꠁꠍꠁꠘ”[30]:32 Der Spiegel ꠄ ꠇꠁꠘ Five Years[31] ꠘꠣꠝꠇ ꠟꠦꠈꠘꠤꠐꠣ ꠇ꠆ꠞꠣꠢ꠆ꠐꠦꠞ ꠃꠙꠁꠘ꠆ꠘꠣꠡ Imperium ꠅꠞ “ꠀꠖ꠆ꠗꠣꠔ꠆ꠔꠤꠇ ꠙꠌꠔꠥꠔꠤꠝꠥꠟꠇ ꠇꠣꠝ” ꠀꠍꠤꠟ ⁕[32]

২০১৫ ꠡꠣꠟꠦ ꠄꠘ꠆ꠒ꠆ꠞꠥ ꠝꠦꠇ꠆ꠇꠣꠘꠞ ꠝꠔꠦ, ꠃꠒꠅꠀꠞꠦꠒ ꠜ꠆ꠞꠝꠘ ꠇꠞꠟꠣ ꠄꠝꠘ ꠄꠇꠈꠣꠘꠧ, ꠎꠦꠈꠣꠘꠧ ꠡꠝ꠆ꠙ꠆ꠞꠖꠣꠄꠅꠞ ꠅꠛꠡꠤꠡ꠆ꠐꠣꠋꠡꠔ ꠀꠍꠤꠟ, ꠀꠖꠤ ꠛꠡꠔꠤꠉꠣꠠꠣ ꠝꠣꠘꠥꠡꠞ ꠛꠋꠡꠗꠞ ꠢꠈꠟ ꠘꠣꠐꠇꠤꠅꠜꠣꠛꠦ ꠡꠋꠇꠤꠞ꠆ꠘ ꠙꠞꠤꠌ꠆ꠕꠤꠔꠤꠔ ꠛꠡꠛꠣꠡ ꠀꠍꠤꠟ; ꠀꠞ ꠙꠞꠦ ꠔꠣꠞꠣꠞ ꠡꠋꠌ꠆ꠇ꠆ꠞꠤꠔꠤ ꠀꠉꠥꠀꠘꠤꠞ ꠟꠣꠉꠤ ꠃꠒꠅꠀꠞꠦꠒ ꠈꠥꠛ ꠅꠘꠥꠙ꠆ꠞꠣꠘꠤꠔ ꠅꠂꠍꠟꠣ ⁕ ꠄꠟꠤꠎꠣꠛꠦꠕ ꠙꠞ꠆ꠡ꠆ꠐꠣꠞ-ꠘꠤꠔ꠆ꠡꠦꠞ ꠀꠖꠤ ꠛꠣꠡꠌ꠆ꠕꠣꠘꠞ ꠝꠣꠏꠦ ꠛꠣꠘꠣꠘꠤ ꠅꠂꠟꠧ ꠍꠥꠐꠧ ꠛꠦꠞꠥꠔ ꠅꠙꠞꠣ ꠡꠣꠃꠎ (Bayreuth Opera House) ⁕[33] ꠛꠞ꠆ꠔꠝꠣꠘꠦ ꠘꠥꠄꠜꠣ ꠎꠣꠞ꠆ꠝꠣꠘꠤꠀꠞ ꠡꠁꠛ꠆ꠜꠔꠣ ꠛꠃꠔ꠆ꠔꠣ ꠀꠉꠥꠀꠁꠍꠦ ⁕ ꠄꠈꠘ ꠢꠈꠣꠘꠧ ꠕꠣꠇꠣꠞ ꠛꠦꠛꠌ꠆ꠕꠣ ꠀꠍꠦ - ꠞꠣꠁꠔ ꠗꠥꠝꠣꠘꠤꠞ ꠟꠣꠉꠤ ꠛꠤꠍ꠆ꠘꠣ ꠀꠞ ꠡꠇꠣꠟꠞ ꠘꠣꠍ꠆ꠔꠣꠅ ꠚꠣꠅꠀ ꠎꠣꠄ; ꠀꠞ ꠀꠍꠦ ꠄꠇꠐꠣ ꠅꠌ꠆ꠕꠣꠁ ꠎꠣꠖꠥꠊꠞ ⁕

ꠛꠣꠞꠣꠔꠣꠔ

[ꠟꠦꠈ | ꠃꠔꠡ ꠟꠦꠈꠁꠘ]
  1. Reich, K., "Family to Sue City, Firms Over Angels Flight Death", Los Angeles Times, ꠝꠣꠞ꠆ꠌ
  2. Dawson, J., Los Angeles' Angels Flight (Mount Pleasant, SC: Arcadia Publishing, ), p. 125
  3. Manzer, T., "Pelican's Goodbye is a Sad Song", Press-Telegram, ꠅꠇ꠆ꠐꠧꠛꠞ
  4. Allen, B., Pelican (London: Reaktion Books, ), pp. 152–153
  5. Kracht, C., & Nickel, E., Gebrauchsanweisung für Kathmandu und Nepal: Überarbeitete Neuausgabe (Munich: Piper Verlag, ), p. 173
  6. Carozzi, I., "La storia di Nueva Germania", Il Post, ꠅꠇ꠆ꠐꠧꠛꠞ
  7. Busch, N., Das ›politisch Rechte‹ der Gegenwartsliteratur (Berlin: De Gruyter, ), pp. 176–188
  8. 1 2 Woodard, D., "Musica lætitiæ comes medicina dolorum", trans. S. Zeitz, Der Freund, Nr. 7, ꠝꠣꠞ꠆ꠌ , pp. 34–41 ⁕
  9. Allen, M., "Décor by Timothy Leary", The New York Times, ꠎꠣꠘꠥꠀꠞꠤ Archived from the original on ꠄꠙ꠆ꠞꠤꠟ
  10. Woodard, Program notes, Program, Berlin, ꠘꠜꠦꠝ꠆ꠛꠞ
  11. Spencer Museum of Art, Dreamachine, KU ⁕
  12. Knight, C., "The Art of Randomness", Los Angeles Times, ꠀꠉꠡ꠆ꠐ
  13. Bolles, D., "Dream Weaver", LA Weekly, ꠎꠥꠟꠣꠁ– ꠀꠉꠡ꠆ꠐ
  14. Chandarlapaty, R., "Woodard and Renewed Intellectual Possibilities", in Seeing the Beat Generation (Jefferson, NC: McFarland & Company, ꠘꠜꠦꠝ꠆ꠛꠞ ), pp. 142–146
  15. Carpenter, S., "In Concert at a Killer's Death", Los Angeles Times, ꠝꠦ
  16. Siletti, M. J., Sounding the last mile: Music and capital punishment in the United States since 1976, dissertation under the tutelage of Prof. J. Magee, University of Illinois Urbana-Champaign, , pp. 240–241
  17. Deaglio, E., Cose che voi umani (Venice: Marsilio Editori, ꠘꠜꠦꠝ꠆ꠛꠞ ), pp. 126–129
  18. Staff, “Composer creates McVeigh death fanfare”, BBC News, ꠝꠦ
  19. Vloed, K. van der, Entry on Woodard, Requiem Survey, ꠚꠦꠛ꠆ꠞꠥꠀꠞꠤ
  20. Wall, J. M., "Lessons in Loss", The Christian Century, ꠎꠥꠟꠣꠁ , p. 37 ⁕
  21. 1 2 Capanna, P., "Los parientes de Nietzsche", Página 12, ꠅꠇ꠆ꠐꠧꠛꠞ
  22. Tenaglia, F., Momus—A Walking Interview (Turin/Milan: Noch Publishing, ), pp. 39–40
  23. Kober, H., "In, um und um Germanistan herum", Die Tageszeitung, ꠝꠦ
  24. Lichtmesz, M., "Nietzsche und Wagner im Dschungel: David Woodard & Christian Kracht in Nueva Germania", Zwielicht 2, , pp. 28–31
  25. Scheidemandel, N., "Der Traum in der Maschine", Der Freund, Nr. 1, ꠍꠧꠙ꠆ꠐꠦꠝ꠆ꠛꠞ , pp. 41–50 ⁕
  26. Horzon, R., The White Book (Berlin: Suhrkamp Verlag, ), ch. 21 ⁕
  27. Epstein, J., "Rebuilding a Home in the Jungle", San Francisco Chronicle, ꠝꠣꠞ꠆ꠌ Archived from the original on ꠅꠇ꠆ꠐꠧꠛꠞ
  28. Schröter, J., "Interpretive Problems with Author, Self-Fashioning and Narrator", in Birke, Köppe, eds., Author and Narrator (Berlin: De Gruyter, ), pp. 113–138
  29. Woodard, "In Media Res", 032c, , pp. 180–189 ⁕
  30. Link, M., "Wie der Gin zum Tonic", Frankfurter Allgemeine Zeitung, ꠘꠜꠦꠝ꠆ꠛꠞ , p. 32 ⁕
  31. Kracht & Woodard, Five Years (Hanover: Wehrhahn Verlag, ) ⁕
  32. Diez, G., "Die Methode Kracht", Der Spiegel, ꠚꠦꠛ꠆ꠞꠥꠀꠞꠤ , p. 102 ⁕
  33. McCann, A. L., "Allegory and the German (Half) Century", Sydney Review of Books, ꠀꠉꠡ꠆ꠐ

ꠕꠥꠇꠣꠘꠤ

[ꠃꠔꠡ ꠟꠦꠈꠁꠘ]