ꯌꯨꯀ꯭ꯔꯦꯟꯒꯤ ꯃꯃꯤ ꯀꯨꯝꯍꯩ
| ꯌꯨꯀ꯭ꯔꯦꯟꯒꯤ ꯃꯃꯤ ꯀꯨꯝꯍꯩ | |
|---|---|
 | |
| No. of screens | 2,332 (2011)[꯱] |
| • ꯄꯥꯔ ꯀꯦꯄꯤꯇꯥ | 100,000ꯒꯤ ꯃꯅꯨꯡꯗ 5.6 (2011)[꯱] |
| ꯃꯔꯨꯑꯣꯏꯕ ꯌꯦꯟꯊꯣꯛꯂꯤꯕꯁꯤꯡ | B And H 20.0% Gemini Film 11.0% Kinomania 7.0%[꯲] |
| Produced feature films (2009)[꯳] | |
| ꯋꯥꯈꯜꯅ ꯁꯥꯒꯠꯄ | 10 |
| ꯑꯦꯅꯤꯃꯦꯇꯦꯗ | 2 |
| ꯗꯣꯀꯨꯃꯦꯟꯇ꯭ꯔꯤ | 7 |
| Number of admissions (2018)[꯴] | |
| ꯑꯄꯨꯟꯕ | 14,995,200 |
| ꯂꯩꯄꯥꯛꯀꯤ ꯃꯃꯤ ꯀꯨꯝꯍꯩꯁꯤꯡ | 448,400 (3.0%) |
| Gross box office (2011)[꯴] | |
| ꯑꯄꯨꯟꯕ | UAH ꯇꯦꯝꯄ꯭ꯂꯦꯠ:Format price (~€10.6 million) |
| ꯂꯩꯄꯥꯛꯀꯤ ꯃꯃꯤ ꯀꯨꯝꯍꯩ | UAH ꯇꯦꯝꯄ꯭ꯂꯦꯠ:Format price (~€142,000) (1.3%) |
ꯌꯨꯀ꯭ꯔꯦꯟꯒꯤ ꯃꯃꯤ ꯀꯨꯝꯍꯩ ꯑꯁꯤ ꯌꯨꯀ꯭ꯔꯦꯟ ꯂꯩꯄꯥꯛꯀꯤ ꯃꯅꯨꯡꯗ ꯄꯨꯊꯣꯛꯄ ꯑꯃꯗꯤ ꯌꯨꯀ꯭ꯔꯦꯟ ꯃꯆꯥꯁꯤꯡꯅ ꯑꯇꯣꯞꯄ ꯂꯩꯄꯥꯛꯀꯤ ꯃꯐꯝꯁꯤꯡꯗ ꯄꯨꯊꯣꯛꯄ ꯃꯃꯤ ꯀꯨꯝꯍꯩꯁꯤꯡꯒꯤ ꯁꯤꯟꯂꯣꯟꯒꯤ ꯑꯄꯨꯟꯕꯕꯨ ꯈꯪꯅꯩ ꯫
ꯄꯨꯋꯥꯔꯤꯗ ꯃꯔꯨꯑꯥꯢꯅ ꯑꯃꯗꯤ ꯃꯥꯢ ꯄꯥꯛꯅ ꯃꯃꯤ ꯀꯨꯝꯍꯩꯁꯤꯡ ꯄꯨꯊꯣꯛꯈꯤꯕ ꯂꯩꯖꯔꯒꯁꯨ, ꯃꯃꯤ ꯀꯨꯝꯍꯩꯁꯤꯡ ꯑꯁꯤ ꯔꯁꯤꯌꯥ ꯑꯃꯗꯤ ꯏꯌꯨꯔꯣꯞꯀꯤ ꯁꯥꯐꯨꯅ ꯃꯁꯥꯒꯤ ꯁꯛꯇꯥꯛꯇ ꯆꯌꯦꯠꯅꯕ ꯀꯌꯥꯃꯔꯨꯝ ꯊꯣꯛꯍꯜꯂꯤ ꯫[꯵]
ꯌꯨꯀ꯭ꯔꯦꯟꯒꯤ ꯃꯃꯤ ꯀꯨꯝꯍꯩꯁꯤꯡ ꯄꯨꯊꯣꯛꯄ ꯃꯤꯑꯣꯢꯁꯤꯡ ꯑꯁꯤ ꯔꯁꯤꯌꯥꯒꯤ ꯃꯃꯤ ꯀꯨꯝꯍꯩꯁꯤꯡꯗ ꯃꯥꯂꯦꯝꯒꯤ ꯊꯥꯛꯇ, ꯄꯨꯟꯅ ꯄꯨꯊꯣꯛꯄ ꯑꯃꯗꯤ ꯃꯃꯤ ꯀꯨꯝꯍꯩꯁꯤꯡ ꯁꯛꯇꯝ ꯂꯥꯡꯕ, ꯂꯝꯖꯤꯡ ꯂꯝꯇꯥꯛꯄ, ꯑꯃꯗꯤ ꯁꯔꯨꯛ ꯌꯥꯕꯅ ꯑꯌꯥꯝꯕꯅꯤ ꯫ ꯃꯥꯢ ꯄꯥꯛꯅ ꯄꯨꯊꯣꯛꯈꯤꯕ ꯃꯃꯤ ꯀꯨꯝꯍꯩꯁꯤꯡ ꯑꯁꯤ ꯑꯌꯥꯝꯕꯅ ꯌꯨꯀ꯭ꯔꯦꯟꯒꯤ ꯃꯤꯑꯣꯢꯁꯤꯡ, ꯋꯥꯔꯤꯁꯤꯡ ꯅꯠꯇ꯭ꯔꯒ ꯊꯧꯗꯣꯛꯁꯤꯡ ꯈꯨꯗꯝ ꯑꯣꯢꯅ ꯄꯣꯇꯦꯝꯀꯤꯝ ꯂꯥꯟꯆꯪ, ꯃꯦꯟ ꯋꯤꯊ ꯑ ꯃꯨꯚꯤ ꯀꯦꯃꯦꯔꯥ, ꯑꯃꯗꯤ ꯏꯚꯔꯤꯊꯤꯡ ꯏꯁ ꯏꯜꯂꯨꯃꯤꯅꯦꯇꯦꯗ ꯑꯁꯤꯅꯆꯤꯡꯕꯁꯤꯡꯁꯤꯗ ꯌꯨꯝꯐꯝ ꯑꯣꯢꯗꯨꯅ ꯌꯥꯎꯔꯤ ꯫
ꯌꯨꯀ꯭ꯔꯦꯟꯒꯤ ꯁ꯭ꯇꯦꯠ ꯐꯤꯜꯝ ꯑꯦꯖꯦꯟꯁꯤ ꯑꯁꯤꯅ ꯂꯩꯄꯥꯛꯀꯤ ꯊꯥꯛꯇ ꯄꯨꯊꯣꯛꯄ ꯃꯃꯤ ꯀꯨꯝꯍꯩꯁꯤꯡ, ꯃꯃꯤ ꯀꯨꯝꯍꯩꯁꯤꯡꯒꯤ ꯄꯨꯀꯩ ꯂꯟꯀꯩ, ꯑꯃꯗꯤ ꯃꯃꯤ ꯀꯨꯝꯍꯩꯁꯤꯡꯒꯤ ꯑꯈꯟꯅꯕ ꯊꯧꯔꯝꯁꯤꯡ ꯈꯨꯗꯝ ꯑꯣꯢꯅ Odessa International Film Festival, Molodist in Kyiv ꯑꯁꯤꯅꯆꯤꯡꯕ ꯁꯤꯟ ꯂꯥꯡꯂꯤ ꯫ ꯃꯁꯤꯗ ꯃꯥꯂꯦꯝ ꯄꯨꯝꯕꯗꯒꯤ ꯃꯍꯩꯂꯣꯢꯁꯤꯡꯒꯤ ꯃꯃꯤ ꯀꯨꯝꯍꯩꯁꯤꯡ, ꯑꯇꯦꯟꯕ ꯃꯃꯤ ꯀꯨꯝꯍꯩꯁꯤꯡ, ꯑꯁꯥꯡꯕ ꯃꯃꯤ ꯀꯨꯝꯍꯩꯁꯤꯡꯅꯆꯤꯡꯕ ꯌꯥꯎꯔꯤ ꯫ ꯃꯁꯤ ꯆꯍꯤ ꯈꯨꯗꯤꯡꯒꯤ ꯑꯥꯛꯇꯣꯕꯔ ꯊꯥꯗ ꯄꯥꯡꯊꯣꯛꯏ ꯫
ꯃꯇꯦꯡ ꯂꯧꯔꯛꯐꯝ
[ꯁꯦꯝꯒꯠꯂꯨ | ꯁꯦꯝꯒꯠꯂꯛꯄꯒꯤ ꯍꯧꯔꯛꯐꯝ]- ↑ ꯱.꯰ ꯱.꯱ "ꯑꯃꯥ Table 8: Cinema Infrastructure - Capacity", UNESCO Institute for Statistics, ꯑꯁꯦꯡꯕꯗꯥ ꯲꯴ ꯗꯤꯁꯦꯝꯕꯔ ꯲꯰꯱꯸ꯗꯥ ꯁꯪꯒ꯭ꯔꯍꯤꯕ, ꯆꯤꯡꯊꯣꯔꯛꯄ ꯵ ꯅꯣꯚꯦꯝꯕꯔ ꯲꯰꯱꯳꯫
- ↑ "ꯑꯃꯥ Table 6: Share of Top 3 distributors (Excel)", UNESCO Institute for Statistics, ꯑꯁꯦꯡꯕꯗꯥ ꯱꯷ ꯖꯥꯅꯨꯋꯥꯔꯤ ꯲꯰꯱꯴ꯗꯥ ꯁꯪꯒ꯭ꯔꯍꯤꯕ, ꯆꯤꯡꯊꯣꯔꯛꯄ ꯵ ꯅꯣꯚꯦꯝꯕꯔ ꯲꯰꯱꯳꯫
- ↑ "ꯑꯃꯥ Table 1: Feature Film Production - Genre/Method of Shooting", UNESCO Institute for Statistics, ꯑꯁꯦꯡꯕꯗꯥ ꯵ ꯅꯣꯚꯦꯝꯕꯔ ꯲꯰꯱꯳ꯗꯥ ꯁꯪꯒ꯭ꯔꯍꯤꯕ, ꯆꯤꯡꯊꯣꯔꯛꯄ ꯵ ꯅꯣꯚꯦꯝꯕꯔ ꯲꯰꯱꯳꯫
- ↑ ꯴.꯰ ꯴.꯱ "ꯑꯃꯥ Table 11: Exhibition - Admissions & Gross Box Office (GBO)", UNESCO Institute for Statistics, ꯑꯁꯦꯡꯕꯗꯥ ꯲꯴ ꯗꯤꯁꯦꯝꯕꯔ ꯲꯰꯱꯸ꯗꯥ ꯁꯪꯒ꯭ꯔꯍꯤꯕ, ꯆꯤꯡꯊꯣꯔꯛꯄ ꯵ ꯅꯣꯚꯦꯝꯕꯔ ꯲꯰꯱꯳꯫
- ↑ (2014) Linguistic Strategies of Imperial Appropriation: Why Ukraine is absent from world film history. Ch. 22 of Contemporary Ukraine on the Cultural Map of Europe, ed. Larissa M. L. Zaleska Onyshkevych & Maria G. Rewakowicz. Routledge, 359–374. ISBN 9781317473787.
ꯑꯍꯦꯟꯕ ꯄꯥꯐꯝꯁꯤꯡ
[ꯁꯦꯝꯒꯠꯂꯨ | ꯁꯦꯝꯒꯠꯂꯛꯄꯒꯤ ꯍꯧꯔꯛꯐꯝ]- Ukrainian Film Club at Columbia University
- Ukrainian cinema
- (Notable films and awards) Archived ꯲꯰꯱꯶-꯰꯵-꯲꯷ at the Wayback Machine
- Lviv Film Commission
- Ukraіnian Film Commіssion
- Ukraіnian Cinema Foundation
- Ukrainian cinema rises from the ashes
- Defining and Exploring Ukrainian Cinema
- International Film Guide. Ukraine
- Scenes of belonging: cinema and the nationality question in Soviet Ukraine during the long 1960s
- History of Cinema in UKRAINE Archived ꯲꯰꯲꯲-꯰꯱-꯰꯵ at the Wayback Machine
- Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University Archived ꯲꯰꯲꯲-꯰꯱-꯰꯵ at the Wayback Machine
- Ukrainian indie films portal
- Cinemahall, International organization for informal film education
- "Film" entry in Historical Dictionary of Ukraine, Ivan Katchanovski, Zenon E. Kohut, Bohdan Y. Nebesio, Myroslav Yurkevich, Scarecrow Press, 2013. ISBN 9780810878471